Medieval Spain - 1960-1965
(To the right is a link to an audio
version of this article if you would prefer to have it read to you.)
Where Have all the Spaniards Gone?
I stand on a hill. I can see for miles in every direction. Thirty miles
away to the south-east is a mountain rising out of the great Spanish
plain, that massive table-land called the meseta, or large table, which
is home to those who see no reason to live by the sea.
To the north is flat; fields of stubble reaching as far as the eye can
see. To the west the land drops gently away to the horizon. To the
south-west the peaks of a range of mountains stick up. Another sierra,
but which one? It cant be the Sierra de Gredos. There must be another
I've forgotten. There are so many.
But whichever way I look I can see no people, no villages, no towns.
Where the heck are all the people who till this land? You can go for
miles and miles and see no-one, and then suddenly there are thousands
of them all milling around, blocking the pavements, jamming up the
side-streets, and shouting at each other as if some frightful argument
involving the whole town is taking place.
*****
I am sitting at a table outside a cafe. The tapas have been ordered,
there is a glass of Rioja in front of me. Two old men at a nearby table
are talking about a restaurant down in Ayamonte, which is about thirty
kilometres to the south. They are commenting on the cooking. Another
man walks in, shakes hands, booms a greeting. The laughter is hearty
and loud. Yes, this is Spain. I know where I am. I recognize the
language, the food, the gestures. And yet.....
*****
I am standing on a roadway. It is dark and cold. There is a wet wind
blowing at me from across the great open spaces. I stare to the north.
Lights glare and flicker in all directions. How many people are living
out there for god's sake? The place was deserted when I last came here
with my wife thirty years ago. We hitched along this road. It was
empty. It was narrow. The first car came along after an hour and a
half, and turned off onto a dirt track a hundred metres up the road.
Now I cant hear myself breathe as the cars roar past me.
I drive through the village of Consuegra with its castle on the
hillside to the south. I remember wandering around the ruins and
talking with the archeologists digging for any evidence to corroborate
the tale that this was the castle Cervantes took for his stories of
that crazy knight, Don Quixote.
The village at night was dark. Every two hundred metres was a bare
electric bulb to light the streets. Every house was lit by a gas lamp
hissing in the middle of the room. Faces looked out thru the open doors
as Ann and I walked past.
This was a Spain I knew. This was what Spain had been like for years.
It was the Spain from the stories in the books I read. This was
medieval Spain, and Spain had been medieval for as long as anyone could
remember.
*****
I am standing on the roof of a house. This house is for sale. I have
added it to my website of unusual properties. It has been renovated,
or, as they say in Spain, reformed. The reformation makes the place
look somehow absurd, out of place. It is modern, no longer rustic. The
modernity has robbed this home of all its character and charm.
This village is just outside Granada. The rooms have been dug out of
the soft rock. As the air reaches the newly exposed rock it hardens,
and you have solid walls for a house, with the chimney poking up
through the earth, with windows to the front, and a few shafts in the
roof to the ground above. This is a cheap home, cool in summer, warm in
winter, and it is easy to expand back into the rock when you need an
extra bedroom.
I walk across the roof, past the chimney sticking up. I look up at the
sky. This house should not be a modern gimmick. These homes are part of
a folklore. I sit with my back against the chimney and start to recite
the
Ballad of the Sleepwalker
written by Lorca seventy years ago. I speak louder and louder as I get
into the poem. I translated it back in the sixties, and can remember
most of the words. I reach the part where the two men go up onto the
balconies of the moon. They are standing on the roof of the house. They
would be roughly where I am now.
I stop, but a soft voice behind me carries on the lines of the poem.
Green, lo i love you green.
Big frosty stars
come with the fish of darkness
that opens the road of dawn.
The fig tree rubs its belly
with a rasp of branches,
and the mountain, a filching cat,
bristles its angry spikes.
The two friends go up
to the high balconies
leaving a trail of blood,
and a trail of tears.
Tiny tinfoil lanterns
trembled on the rooftops.
He reaches the end of the stanza, and pauses. Without turning round I
start the next stanza, and then I reach the haunting refrain. We both
speak it very softly together.
Verde, que te quiero verde
verde viento, verde ramos
el barco sobre la mar
Y el caballo sobre la montaña.
Green, lo i love you green;
green wind, green branches;
the ship on the sea
and the horse on the mountain.
It is only then that I turn round and smile. I get up, shrug my
shoulders, and we walk down to a cafe and drink coffee, and remember
the old days, and look at the moon, and remember the smuggler with his
dreams that cannot be fulfilled.
*****
I am in the car park at the Alhambra. I look around. There are coaches
everywhere, and concrete. There are fences and offices, and guards with
guns.
Somewhere may be an Alhambra, but it isn't here. This is a shop, a very
modern shop, but there are no gardens of Spain. They were scrubbed,
gift-wrapped, and destroyed years ago.
But although Spain has gradually eroded into something European, maybe
the Spaniards I once knew are still here, if only I can find them.
* * * * *
You can buy volume one of this multi-volume set from Amazon. Here's the
link:
http://www.amazon.co.uk/dp/B00OMZZAPO
john
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